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☆ Artist Yves Klein’s unusual nude performance restaged decades after artist’s death
▼ + stars: | 2024-05-01 | by ( Jacqui Palumbo | ) edition.cnn.com time to read: +7 min

CNN —Twice a week this spring, a nude performance artist sits inside a small wooden box in a New York gallery waiting to be touched. Courtesy Lévy Gorvy DayanVisitors to Lévy Gorvy Dayan on New York's Upper East Side can interact with the sculpture and performance artist inside during twice-weekly performances this spring. “Yves Klein: The Tangible World” brings together many of the artist’s lesser-seen works. “I wanted to show Yves Klein’s love for the body, and the aliveness that the body represents,” said Dominique Lévy, a co-founder of the gallery, which represents Klein’s estate. “He’s the first artist to really incorporate performance as an artistic act and as a practice,” Lévy said.

Persons: ‘, Yves Klein, ”, “, —, “ Yves Klein, Gorvy Dayan, Klein, Dominique Lévy, Lévy Gorvy Dayan, Julian Rigg, Yves Klein’s, ” Klein, ” Lévy, ” Hugo Alexander, Rose, he’s, ” Krause, Lévy, Alexander Organizations: CNN, Lévy Gorvy Dayan Visitors, Artists Rights Society, Marina, Museum of Modern Art, School of Visual Arts Locations: New York, French, New, ADAGP, Paris

☆ What is surrealism and why is the art movement more relevant than ever?
▼ + stars: | 2024-03-27 | by ( Cath Pound | ) edition.cnn.com time to read: +7 min

Surrealism’s origins are in the collective trauma of World War I and the global flu epidemic of 1918. Marcel Mariën was a pivotal figure in the Belgian surrealism movement. Fondation Marcel Mariën/L’activité surréaliste en Belgique/Courtesy BOZARA movement with unique freedomsHaving begun as a literary movement, surrealism soon morphed into an artistic one. However, the absence of a defined aesthetic gave surrealist artists a unique freedom to express themselves in whatever way they chose. Different artists from different backgrounds can use Surrealism to explore their individual concerns,” said Francisa Vandepitte, curator of “Imagine!

Persons: René Magritte, “, Man Ray, André Breton, — Breton, ”, Xavier Canonne, Marcel Mariën, Salvador Dalí, René, Bayerische, Francisa Vandepitte, Madrid’s Fundación Mapfré, Jane Graverol, Rachel Baes, —, Leonora Carrington, Carrington, Remedios Varo, Kati Horna, Robert Zeller, Zeller, Le Bain, Cristal, Photothèque, Magritte, ” Zeller, “ It’s Organizations: CNN, Bozar, for Fine Arts, Royal Museums of Fine Arts of Belgium, Hamburger Kunsthalle, Philadelphia Museum of Art Locations: Paris, Brussels, Belgium, Belgian, Spanish, Germany, Mexico, Hungarian, Mexican, Venice

☆ Marie Laurencin, the 1920s painter who hid sapphic symbols in her portraits
▼ + stars: | 2024-01-10 | by ( Jacqui Palumbo | ) edition.cnn.com time to read: +9 min

Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Christie's/Bridgeman Images/Courtesy Barnes FoundationA portrait of Marie Laurencin by Man Ray, 1925. Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Bridgeman Images/Courtesy Barnes Foundation"The Woman-Horse (La femme-cheval)," from 1918. Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Courtesy Barnes FoundationBut as definitions of femininity have expanded in recent decades, so too has appreciation for Laurencin’s idyllic, women-only world. She often titled her portraits of women “Friends” or “Two Friends,” leaving the exact nature of their intimacy unclear. It’s almost like a radical utopia… a world of women, for women, by women,” Kang said.

Persons: peintre, modèle, Christie's, Marie Laurencin, Man Ray, CNN — Marie Laurencin’s, ”, Pablo Picasso, Georges Braque —, Simonetta Fraquelli, ” Fraquelli, “, Laurencin, Cindy Kang, Barnes, Francisco Goya, Kang, don’t, ’, Académie Humbert, wasn’t, Rachel Silveri, Adrienne Monnier, airheads, Mademoiselle Chanel, — Picasso, Jean Cocteau, Paul Rosenberg —, Coco Chanel, Maud “ Emerald, Jacques Faujour, Dove ”, Nicole Groult, “ It’s, ” Kang, Natalie Clifford Barney, Gertrude Stein, Berenice Abbott, Otto von Waetjen, Guillaume Apollinaire, Suzanne Moreau, —, Musée de, Herve Lewandowski, — Laurencin, Marshal Philippe Pétain, Moreau, Masahiro Takano, Albert C, hasn’t, we’ve Organizations: Foujita, Artists Rights Society, CNN, grays, Barnes Foundation, Palais, Art, Fraquelli, Groult, Museum, Marie, Marie Laurencin Museum Locations: New York, ADAGP, Paris, Philadelphia, Sapphic Paris, Spain, Musée de l'Orangerie, Vichy France, Japan, Tateshina, Japan’s Nagano, Tokyo, “

☆ Five Things Tom Dixon Wishes He’d Created
▼ + stars: | 2023-11-08 | by ( Kurt Soller | More About Kurt Soller | ) www.nytimes.com time to read: +1 min

Sacco Chair (1968) by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta“In the 1960s, people wanted to find new ways of socializing. I still remember sitting on my first beanbag chair and thinking it was a massive leap of imagination coupled with a new material (polystyrene balls), which is always what pushes design forward.”Image Credit... © 2023 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Christie’s Images Limited 2023Hippopotame II Bar (1978) by François-Xavier Lalanne“Many designers are doing art-furniture today, but the Lalannes were doing it much earlier. It’s playful and Surrealist and yet beautifully crafted — in brass, a metal I’m obsessed with.”Image Credit... Farrar, Straus & Giroux“The Electric Kool-Aid Acid Test” (1968) by Tom Wolfe“I took a couple of acid tabs when I was a kid, and it was super mind-expanding. Wolfe’s writing is, too.”

Persons: Sacco, Piero Gatti, Cesare Paolini, Franco Teodoro, Zanotta “, Xavier Lalanne “, . Farrar, Straus, Giroux, Tom Wolfe “, ” Organizations: Rights Society, François Locations: New York, ADAGP, Paris

☆ Evelyne Axell was a trailblazer of erotic pop art in the 1960s. Then she died
▼ + stars: | 2023-05-17 | by ( Jacqui Palumbo | ) edition.cnn.com time to read: +7 min

CNN —Throughout Evelyne Axell’s short but radical career, the Belgian artist revered the female body in psychedelic hues rendered in gleaming enamel. In 1972, only a handful of years into painting, she died in a car crash and faded into relative obscurity. But such sales for Axell are infrequent, according to Sara Friedlander, Christie’s deputy chairman of post-war and contemporary art. Her stylistic approach — a mix of pop art influences and dreamy surrealist settings — is still underrecognized, according to Morris. “She acts as a historical bridge (between surrealism and pop art),” she said.

☆ Picasso: Love Him or Hate Him?
▼ + stars: | 2023-04-05 | by ( Deborah Solomon | April | ) www.nytimes.com time to read: +14 min

It is not hugely cool to profess a love for Picasso these days. This is what Picasso’s detractors — like Hannah Gadsby, the Australian comedian and Picasso basher, who will help curate a Picasso show at the Brooklyn Museum opening on June 2 — often miss. Picasso, by contrast, brought the weight of lived experience into his work, even when he was tethered to archetypal subjects. “The Mother” (1901), an early painting by Picasso, shows a view of motherhood purged of Renaissance idealization. The conventional view of the painting holds that the women are “dolled-up cocottes,” as John Richardson glibly put it in his biography of Picasso.

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